So, yes, increased framerates do make things like aliasing concerns -- long the bane of many an action movie director's existence -- go away. However, there is a concrete and visceral difference between 24fps and 30/48 that is impossible to ignore (unlike, say vinyl vs. digital, which requires an expert and a dollop of wishful thinking to recognize). This is not something that only the snooty directors and film buffs will notice -- everyone (and I mean everyone) in the theater will comment on it.
Now, perhaps we all as species just need to adjust to the new normal. We'll see. Personally, I find that 24fps adds a sense of larger-than-lifeness that I find really attractive. Maybe I'll just get over it, but I suspect that I'll miss 24fps for quite a while.
So, yes, increased framerates do make things like aliasing concerns -- long the bane of many an action movie director's existence -- go away. However, there is a concrete and visceral difference between 24fps and 30/48 that is impossible to ignore (unlike, say vinyl vs. digital, which requires an expert and a dollop of wishful thinking to recognize). This is not something that only the snooty directors and film buffs will notice -- everyone (and I mean everyone) in the theater will comment on it.
Now, perhaps we all as species just need to adjust to the new normal. We'll see. Personally, I find that 24fps adds a sense of larger-than-lifeness that I find really attractive. Maybe I'll just get over it, but I suspect that I'll miss 24fps for quite a while.