For the longest time, xvid was the standard for these guys. They still have standards requiring that all releases be packaged into multipart RAR files, "in 15, 20, or multiples of 50 MB". In other words, they are kind of inflexible and hidebound.
Anime fansubbing groups, in contrast, have no common standards except for -- to paraphrase the IETF motto -- rough consensus and regular releases. If some group wants to encode with Hi10P to get the same video quality at 2/3 the file size, they don't have to ask permission from anyone. Competition between groups gradually pushes forward the rough consensus, which is how they switched from xvid to x264, from container formats like AVI to the more flexible MKV, from SD to HD, and so on. The freedom to not live up to a community standard of quality gave them the ability to exceed it.
I remember reading years ago (possibly on Wikipedia's Scene article) that the multipart RAR thing was for faster distribution among the network of servers: Other servers can start downloading parts before the current server has finished fetching everything.
There's many layers of hierarchy (from the release groups themselves down to the hoopleheads at the bottom) so it speeds up releases significantly.
Internal scene transfer was (and still is, afaik) done using FTP servers, often very primitive ones because they had to evade detection on hacked servers. When you're racing a large game or movie from one server to another, the last thing you want is for a random disconnect to ruin it 90% of the way through, or even worse, to finish it and find that the CRCs don't match because of random corruption. It also means that you can race from multiple sources for higher speed, and like you said, use a server as a source before it's actually done downloading.
First of all no "pro courier" is going to be on HN bragging about his "weapons of choice." Second of all FXP was the protocol of choice back in the day(the time period the parent post was referring to). Thirdly, I remember when telix and minicom where "the weapons of choice."
Autotrading with pftp was a great way to get banned when I came up in the scene. ssh + standard unix ftp and a screen rotation of ~5-10 sites were the usual trading setup. It's much nicer than FXP, particularly as most top sites only allowed a few logins. You simultaneously mget different files from all affil sites and mput to the rest of your rotation. Chaining with FXP just isn't fast enough.
Autotrading will still get you banned. But yeah what you describe sounds like it's from back in the day. Nowadays there are three modes with the standard pftp: autotrade, autotrade only while at computer (redundant, I know), and manual trade.
But chaining with FXP is just fine now (virtually all courier groups do it with the exception of 0day). When I was a courier our pftp coordinated with the other ones in the group and chained them via country, ranking, and by 3-4 other factors I can get into if you'd like.
Are the site rankings published anywhere? When I came up we had e-zines like the Netmonkey Weekly Report. Damn they were cool! :)
FWIW: I traded 0sec to places like: Falsehood, Hades, VDRLake, Firesite, Enigma, Etirnity (whose dutch admins couldn't spell, but their site owned anyway :p) and, my favourite, Stairway to Heaven.
Anime groups can afford to be much more aggressive about technology because they have special requirements that older tech doesn't allow (styled softsubs, multiple audio/sub tracks, ordered chapters), and because their audience is overwhelming using high-performance PCs because nothing else commonly supports those technologies. In fact, modern anime releases are basically targeted towards one platform (Windows PC with MPC-HC and CCCP[1] without DXVA) with coincidental support for Mplayer on Linux because it uses the same basic open source codecs and splitters. Hi10p is even more aggressive - when they started releasing Hi10p releases, the only decoder that supported it was ffdshow alphas, and even now software support for it is very sparse. Hardware support is non-existent, and will continue to be so unless a mainstream content provider like Apple decides to start releasing Hi10p video content.
On the other hand, people who watch non-anime scene releases are much more likely to use mobile devices, set-top boxes and other A/V equipment that relies on hardware decoding support. One of the major reasons that scene releases are standardized is so that they'll play on a wide variety of hardware, and this results in a much more conservative approach than anime groups. The main reason they're moving forward with this change is because H.264 has acceptable support in hardware (primarily in the MP4 container, MKV support is awful) and XviD is really showing its age compared to modern H.264 encoders like x264.
I hadn't tried it before, but VLC 2.0 is a very impressive improvement over 1.x. I don't have an extensive library of files with crazy features, but it handled everything I threw at it fine. Hopefully they'll keep improving, it's good for the other players to have more competition on features.
While that's true, VLC has had a history of problems with H.264 (quite ironic), ASS/SSA and ordered chapters that makes them shunned in the anime community. Apparently, libass still has problems with skewed and rotated subtitles. CCCP is much more preferred on Windows.
They also don't usually support softsubs or multiple audio tracks, which are completely standard in anime releases. As a result of that, the anime community pretty much gave up on device compatibility when they left XviD behind. People who really want mobile versions tend to transcode, resize and "harden" the subs, but that's a lot of work.
That said, I agree that "annoying" is the right word in this case. The Hi10p switch has caused a lot of problems even for people with PCs - software support took ages to reach acceptable levels, and it requires a lot more CPU power on the decoding side for a very minor quality increase. They could've waited 6-12 months before pushing for wider Hi10p adoption, and I think it would've gone much more smoothly.
I was actually surprised to find my settop box supported mkv, multiple audio tracks and can even display styled subtitles unstyled (it would need specific support for substation alpha to do this).
Software support for 10bit was pretty much there in some form when they majority started using 10bit, it is a lot more wide spread now (mostly a few programs like mplayer2, vlc and MPC:HC). Support for embedded products (like settop boxes) will be a long time, or maybe never.
Yeah. It was the same thing when bittorrent became big. It was the anime groups that were the first big adopters. Mainstream releases took a lot longer.
