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> or the aboriginal sculpture some archaeologist discovered, admired and wrote articles interpreting is discovered to be unworked stone.

No, you shift the attribution. The art is not from the fictional sculptor, but from the archaeologist: the artefact is not the stone, but the articles.

> Your position allows a dead person to have their experiences retroactively cheapened because of carbon dating and microstructural analysis.

This isn't unique to this situation. If you risk your life paragliding over the ocean to drop a "bomb" far away from anyone it could hurt, and nearly drown making your way back, only to realise there was no bomb and it was just some briefcase? That's "retroactively cheapened" not just your experiences, but your actions.

And yet, you were willing to risk your life in that way.

> the "authentic human art" they were inspired by turns out to be a mechanical forgery,

If they were inspired, how does the source of inspiration affect the validity or the meaning of what they were inspired to do? Sure, it might lessen it in some ways, but it doesn't obliterate it entirely. In fact, it can reveal new meaning.



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